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Peter Vischer

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Bibliographic data

fullscreen: Peter Vischer

Monograph

Persistent identifier:
06856545
URN:
urn:nbn:de:bvb:75-20221128101137
Title:
Peter Vischer
Shelfmark:
Amb. 8. 1526
Author:
Headlam, Cecil
Place of publication:
London
Publisher:
Bell
Document type:
Monograph
Collection:
Norica
Publication year:
1901
Scope:
XI, 143 S.
Copyright:
Stadtbibliothek im Bildungscampus Nürnberg
Language:
English

Chapter

Title:
CHAPTER VIII. THE TOMB OF ELECTOR FREDERICK THE WISE, AND THE RATHAUS RAILING
Document type:
Monograph
Structure type:
Chapter
Collection:
Norica

Contents

Table of contents

  • Peter Vischer
  • Front cover
  • Figure: 1. PORTRAIT OF PETER VISCHER
  • Title page
  • Imprint
  • PREFACE
  • CONTENTS
  • LIST OF ILLUSTRATIONS
  • BIBLIOGRAPHY
  • CHAPTER I. HERMANN VISCHER AND THE EARLY GERMAN BRONCE WORK
  • CHAPTER II. PETER VISCHER: HIS LIFE
  • Figure: 2. PETER VISCHER THE CRAFTSMAN; ST SEBALD'S CHURCH, NÜRNBERG
  • CHAPTER III. THE EARLY WORKS OF PETER VISCHER
  • Figure: 3. TOMP OF ARCHIBISHOP ERNST; CATHEDRAL MAGDEBURG
  • Figure: 4. TOMP OF ARCHBISHOP ERNST; CATHEDRAL MAGDEBURG
  • Figure: 5. ST: MAURICE; KRAFFT HOUSE, NÜRNBERG
  • Figure: 6. MONUMENT OF COUNT HERMANN VIII; CHURCH RÖMHILD
  • CHAPTER IV. THE SHRINE OF ST. SEBALD
  • Figure: 7. TOMP OF ST. SEBALD; ST. SEBALD, NÜRNBERG
  • Figure: 8. ST. PETER; ST. SEBALD NÜRNBERG
  • Figure: 9. ST. SEBALD; ST. SEBALD, NÜRNBERG
  • Figure: 10. ST. SEBALD PUNISHES THE BLIND MAN; ST. SEBALD, NÜRNBERG
  • Figure: 11. ST. SEBALD HEALING THE BLIND MAN; ST. SEBALD, NÜRNBERG
  • Figure: 12. ST. PAUL; ST. SEBALD, NÜRNBERG
  • Figure: 13. ST. BARTHOLOMEW. ST. SEBALD'S CHURCH, NÜRNBERG
  • CHAPTER V. THE TOMP OF MAXIMILIAN
  • Figure: 14. THEODORIC, KING OF THE GOTHS; TOMB OF MAXIMILIAN, INNSBRUCK
  • Figure: 15. KING ARTHUR; TOMB OF MAXIMILIAN, INNSBRUCK
  • CHAPTER VI. THE TUCHER MONUMENT AND THE NUREMBERG MADONNA
  • Figure: 16. MEETING OF CHRIST WITH THE SISTERS OF LAZARUS (Tucher Monument); CATHEDRAL RATISBON
  • Figure: 17. BEWEINUNG CHRISTI (EISSEN MEMORIAL); ST AEGIDIUS CHURCH, NÜRNBERG
  • Figure: 18. THE NUREMBERG MADONNA; MUSEUM NÜRNBERG
  • CHAPTER VII. THE MINOR WORKS OF PETER VISCHER THE YOUNGER
  • Figure: 19. PRPHEUS AND EURYDICE; COLLECTION OF M. DREYFUS, PARIS
  • Figure: 20. ORPHEUS AND EURYDICE; MUSEUM, BERLIN
  • Figure: 21. "EARTHLY LIFE" (INKSTAND); ASHMOLEAN MUSEUM, OXFORD
  • Figure: 22. "HEAVENLY LIFE" (INKSTAND); ASHMOLEAN MUSEUM, OXFORD"HEAVENLY LIFE" (INKSTAND); ASHMOLEAN MUSEUM, OXFORD
  • CHAPTER VIII. THE TOMB OF ELECTOR FREDERICK THE WISE, AND THE RATHAUS RAILING
  • Figure: 23. ELECTOR FREDERICK THE WISE; SCHLOSSKIRCHE; WITTENBERG
  • Figure: 24. THE RATHAUS RAILING; FORMERLY AT NÜRNBERG
  • Figure: 25. THE RATHAUS RAILING; FORMERLY AT NÜRNBERG
  • CHAPTER IX. THE FALL OF THE HOUSE OF VISCHER
  • Figure: 26. BOY WITH BAGPIPES; MUSEUM NÜRNBERG
  • Figure: 27. TOMB-PLATE OF DUCHESS HELENA VON MECKLENBURG; CHATHEDRAL SCHWERIN
  • Figure: 28. THE APOLLO FOUNTAIN; RATHAUS COURT, NÜRNBERG
  • CHAPTER X. THE IMPORTANCE OF THE WORKS OF THE VISCHERS
  • CATALOGUE OF THE CHIEF WORKS BY OR ATTRIBUTED TO HERMANN VISCHER, HIS SON PETER VISCHER AND PETER VISCHER'S SONS, HERMANN, PETER, AND JOHANN KNOWN AS HANS DER GIESSER
  • INDEX
  • Back cover
  • Colour checker

Full text

CHAPTER VIII 
THE TOMB OF ELECTOR FREDERICK THE WISE, AND 
THE RATHAUS RAILING 
ID UT the work of Peter Vischer the younger 
B was not yet done. It remained, indeed, for 
him to perform some of his greatest achievements. 
Certain documents quoted by Baader! show that 
it was he who, in the beginning of the year 1527, 
completed the monument to the Elector Frederick 
the Wise at Wittenberg, of which Liibke writes 
that it is “a classic work and through it the Ger- 
man art of that period is worthy to take rank with 
the Italian.” The life-size figure of the great 
Elector stands in strong relief upon a bronze plate 
within a frame of Corinthian pillars, outside which, 
on either side, the sixteen coats of arms of the 
ancestors of the Prince’s house are recorded, whilst 
his own arms form the central. point of the arch 
above his head. Above the latter coat-of-arms 
two sturdy angels, forming a central headpiece, 
hold a laurel wreath, and therewith the ‘Elector’s 
favourite text inscribed in Latin: “The word of 
“ Beitrige zur Kunstgeschichte Niirnbergs.” 
IOI
	        

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Headlam, Cecil. Peter Vischer. Bell, 1901.
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